Lauriane Lehouillier, Julie Malenfant & Valérie Soares
Homer’s The Iliad is a complex epic poem that intricates war and politics among the livings and the Gods, making it almost impossible to understand thousands of years after it was first told! Using everyday objects, The Iliad for Dummies takes the essence of the story and vulgarizes it in a modern way that takes away its nobility, its pretension, its censorship and…its decency.
Sachie Mikawa & George Lewis
Through the eyes of a giant talking Fish, a magical encounter of two girls across time and oceans tells a story of an eccentric family and incredible natural disaster in Japan. A multimedia one-woman theatrical show deeply inspired by the 2011 Earthquake and Tsunami.
“IDIOSYNCRATIC GENIUS” -The Scotsman
In my beginning is my end. (T.S. Eliot). Does the place you live define you as a person? Is our idea of home being transformed by forces beyond our control? From treasured spaces of the past, to harsh streets, to catastrophe, to shelter and sanctuary, Evolution Theatre’s exploration of where we live is a theatrical open house on the subject of home.
Director/Dramaturge: Laurie Fyffe
Cast: William Beddoe, Jacqui Du Toit and Norah Paton
Musician/Sound: Jack Pyl
Tim C. Murphy
A socially awkward dishwasher, his cat, positive psychology, some beer, and perhaps life’s most important question – is happiness a choice?
Best of Fest – 2016 Toronto Fringe
“One of the best the Fringe has to offer. ” -Montreal Gazette
“Engaging and inspiring.” -NYTheatre
✭✭✭✭✭ “Beautiful. A must see!” -Ignite FM Winnipeg
✭✭✭✭ “Thought-provoking.” -Eye Weekly
✭✭✭✭ -Winnipeg Free Press
A chronically-single guy takes a trip around the world hoping to change his luck with love. An unflinching look at how men feel about sex, love, marriage, and massage parlors. Adult language and adult situations, including a visit to The Curious Finger Body Spa.
“Fun to watch. Four stars.” -Winnipeg FreePress
“Literary” “Raw” -DCMetroTheaterArts
“Sharply funny…a quality solo show.” -FringeReview
Writer-performer Randy Ross is the author of the comedy novel, “God Bless Cambodia.” In 2007, Ross took a trip around the world and learned to say in three languages: “Speak English?” “Got Pepto-Bismol?” and “Where is evacuation helicopter?” The trip inspired his novel and one-man show, which has been featured at fringe festivals in the U.S., Canada, and Edinburgh, Scotland.
In this hilarious prequel to the Bible, God has a universe to create, and he is running late. If that weren’t bad enough, He has ADHD! Join the addled Creator in the Void and get a “miraculous” look at your Universe in the instant between “Let There Be…” and “Light.”
“A Comedic Hurricane!” -Washington DCMetroTheaterArts
“Quality Entertainment!” -Washington DC City Paper
Every party has a secret. This information may not even be known by those in the room. It’s my job to figure it out. Which song will get the party started?
In this live DJ’d show, I reveal every trick I’ve learned in my 20-year career on how to read a room and get people dancing. And, along the way, I’ll relate some of the highs and lows of playing music for money.
Hannah Gibson-Fraser & Jodi Morden
“How did I get from 6 years old to here? It’s like living in a fishbowl, from the outside you can see things crystal clear. But from the inside, you rock slowly, unaware of the vortex sucking you down.” An intricate look at the lives of two women and their journey through love and tragedy. The choices they have made to get where they are today, and what their future holds.
Damien Bailey & Pamela Feghali
Wesley the Hobobobo talks gorillas, yetis, rat-tails, and rainbow popsicles, which are all interconnected to his missing tooth and his father’s macho principles. Will passing stranger, Maya, whose pressing concerns tick tock like her biological clock, have the time or desire to listen to Wesley’s fantastical stories? Will she even have a choice?
Tooth:Hurty tackles the fragility of boyhood, the insecurities of manhood, and the idealisation of fatherhood, all the while finding a place for the stifled female voice.
Directed by Capital Critics Circle Award winner Pamela Feghali